Moffat is a conformist justifying, not goodness, but conformity with the social consensus to which he conforms. He covers his tracks (especially from himself) by equating conformity with virtue.

Steven Moffat and Cancel Culture

What an utter abomination. A slimy Jewish destroyer promoting a mystery meat woman in a pant-suit.

Today, the cliché is much more established of the tragic middle-aged man who is unhealthily obsessed with sci-fi and fantasy franchises, features of a childhood that he cannot move on from and to which he remains, with a disturbing glee, attached. Gay men were a sort of prototype for the sci-fi fan of today, since they were childless and psychologically stunted long before the same state was common in heterosexuals.

The Seeds of Gay Doom (I)

Something that is striking about Queer as Folk is its depiction of straight people. A few straight women are “goodies”, but most are nasty homophobes. All the straight men are nasty homophobes. Far from being reined in from this anti-mainstream, anti-heterosexual writing, Davies was rewarded with recognition.

The Seeds of Gay Doom (I)

VDARE is closing down after 25 years. As Peter Brimelow said, VDARE has been murdered by Letitia James, attorney general of New York

Absolutely horrific. We are so saddened to hear this. If they can do this to VDARE they can do this to any one of us.

Source X post

New Substack essay, examining the late 2000s heyday of the revived Doctor Who:

https://open.substack.com/pub/millennialwoes/p/gay-doom-2?r=brxtk&utm_campaign=post&utm_medium=web

The personality of the Doctor was made more “normal” - not upper-class, professorial or eccentric. 2005 was the peak of the New Labour era and the egalitarianism of reality TV, so instead the Doctor would be “an ordinary bloke”. What’s more, he would have a resolutely working-class persona that “anyone” could relate to.

The Seeds of Gay Doom (II)

It was 2005, and the job of liberals at that time was to assure everyone there were no subversive agendas. This, they did - every single week. They would acknowledge the individual signs of it, but deny that they added up to “some agenda”; it was simply good drama, presenting people as they are today.

The Seeds of Gay Doom (II)

My first Substack post is out. Lots more to come.

Read it. Share it. Subscribe.

https://semiogogue.substack.com/p/defending-the-conspiratard-1

Davies consigned the Doctor’s home planet and race (the Timelords) to a void. This made the Doctor even more rootless. He had always been a nomad and an explorer, but now there was no home for him to ever return to. Like the gay teenager moving to the city, he need never explain himself to “the bigots back home” ever again. Late in his tenure, Davies actually doubled down on this: he had the Timelords escape from the void only for the Doctor himself to send them back into it - condemning his own race to oblivion.

The Seeds of Gay Doom (II)

In a scene from Inside Man (2022), a young White man sexually harasses a pudgy Black woman, in public and in broad daylight, on a train packed with on-lookers, then gets aggressive with other ethnic minority women. This is a total inversion of the reality of modern Britain, yet Moffat wrote it anyway.

Steven Moffat and Cancel Culture

Now let's do living standards by removing the same element

"Whites have White privilege
Non-whites are oppressed
But race doesn't exist
Yet I love racial diversity
And I celebrate our differences
Because we're all the same
So let's destroy diversity
By mixing together
But only in White areas of the planet
But this isn't genocide of Whites
Yet when we're done, Whites will be gone (LOL they deserve it)
And we won't allow resistance to this"

For how long can such a contradictory ideology be sustained...?

These choices are revealing, not just of Davies’ politics (egalitarian, democratic) but of his personality. On the one hand, he clearly despised the heterosexual mainstream. On the other hand, he craved its acceptance. At some level he was still the boy in the playground in Wales, wishing the other boys wouldn’t call him names and the girls wouldn’t laugh at him. Now aged 41, he wanted to be reconciled with the mainstream. He wanted to offer them the thing he loved, but reconfigured such that they would like it and accept him.

The Seeds of Gay Doom (II)

10th July, 1924.