To All MA English Literature students
MEG-5 Literary Criticism and Theory is a not a subject but a blessing for minds.
Study this subject properly without any shortcut if you really wanna feel life.
MEG-5 Literary Criticism and Theory is a not a subject but a blessing for minds.
Study this subject properly without any shortcut if you really wanna feel life.
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https://youtu.be/qviM_GnJbOM
Still I rise
You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
(Shared during MEG11 Session Monday)
Still I rise
You may write me down in history
With your bitter, twisted lies,
You may tread me in the very dirt
But still, like dust, I'll rise.
Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.
Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.
Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops.
Weakened by my soulful cries.
Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own back yard.
You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.
Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?
Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.
Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.
(Shared during MEG11 Session Monday)
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Revised Schedule for MEG.pdf
793.1 KB
2nd Year Classes
RC Odisha
RC Odisha
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If anyone has meg-10
https://www.egyankosh.ac.in/handle/123456789/21665 for materials on MEG 10...Classes start today at 9 am.👍🏼
Meg-10 Dr Mukti https://meet.google.com/syy-ueye-jia
If anyone has meg-10
https://www.egyankosh.ac.in/handle/123456789/21665 for materials on MEG 10...Classes start today at 9 am.👍🏼
Meg-10 Dr Mukti https://meet.google.com/syy-ueye-jia
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WhatsApp Group Invite
444315197_Wole_Soyinka_s_A_Dance_of_the_Forests_The_Fourth_Stage.pdf
402.3 KB
Myth and African tragedy in Wole Soyinka’s
A Dance of the Forests (1960)
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A Dance of the Forests (1960)
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M_K_Naik_A_History_of_Indian_English_Literature_Sahitya_Akademi.pdf
1.4 MB
A History of Indian English Literature - M.K. Naik
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N_Krishnaswamy,_Lalitha_Krishnaswamy_The_Story_of_English_in_India.pdf
9.6 MB
The Story of
English in India
N. Krishnaswamy
Lalitha Krishnaswamy
FOUNDATION
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English in India
N. Krishnaswamy
Lalitha Krishnaswamy
FOUNDATION
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412013511-Raja-Rao-Kanthapura.pdf
1023.6 KB
Raja Rao
KANTHAPURA
With an Introduction
by R. Parthasarathy
Penguin Modern Classes
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KANTHAPURA
With an Introduction
by R. Parthasarathy
Penguin Modern Classes
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An Illustrated History of Indian Literature in English
Edited by
ARVIND KRISHNA MEHROTRA
permanent black
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Edited by
ARVIND KRISHNA MEHROTRA
permanent black
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Arvind_Krishna_Mehrotra_An_Illustrated_History_of_Indian_Literature.pdf
60.5 MB
Contents
Illustrations
Editor's Preface
Introduction
ARVIND KRISHNA MEHROTRA
The English Writings of Raja Rammohan Ray
BRUCE CARLISLE ROBERTSON
The Hindu College: Henry Derozio and Michael Madhusudan Dutt
SAJNI KRIPALANI MUKHERJI
The Dutt Family Album: And Toru Dutt
ROSINKA CHAUDHURI
Rudyard Kipling
MARIA COUTO
Two Faces of Prose: Behramji Malabari and Govardhanram Tripathi
SUDHIR CHANDRA
The Beginnings of the Indian Novel MEENAKSHI MUKHERJEE
The English Writings of Rabindranath Tagore
AMIT CHAUDHURI
Sri Aurobindo
Two Early-Twentieth Century Women Writers: Cornelia Sorabji
and Sarojini Naidu RANJANA SIDHANTA ASH
Gandhi and Nehru: The Uses of English
UNIVERSITY OF MICHIGAN
Verrier Elwin
RAMACHANDRA GUHA
Novelists
LEELA GANDHI 13 R.K. Narayan
PANKAJ MISHRA
Nirad C. Chaudhuri
EUNICE DE SOUZA
Novelists
SHYAMALA A. NARAYAN AND JON MEE
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Illustrations
Editor's Preface
Introduction
ARVIND KRISHNA MEHROTRA
The English Writings of Raja Rammohan Ray
BRUCE CARLISLE ROBERTSON
The Hindu College: Henry Derozio and Michael Madhusudan Dutt
SAJNI KRIPALANI MUKHERJI
The Dutt Family Album: And Toru Dutt
ROSINKA CHAUDHURI
Rudyard Kipling
MARIA COUTO
Two Faces of Prose: Behramji Malabari and Govardhanram Tripathi
SUDHIR CHANDRA
The Beginnings of the Indian Novel MEENAKSHI MUKHERJEE
The English Writings of Rabindranath Tagore
AMIT CHAUDHURI
Sri Aurobindo
Two Early-Twentieth Century Women Writers: Cornelia Sorabji
and Sarojini Naidu RANJANA SIDHANTA ASH
Gandhi and Nehru: The Uses of English
UNIVERSITY OF MICHIGAN
Verrier Elwin
RAMACHANDRA GUHA
Novelists
LEELA GANDHI 13 R.K. Narayan
PANKAJ MISHRA
Nirad C. Chaudhuri
EUNICE DE SOUZA
Novelists
SHYAMALA A. NARAYAN AND JON MEE
#MEG07
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Join 🔜 @englishignou