The core of the album is a lush, opulent matrix of percussion ranging from the familiar—hand claps and drum machines—to the mysteriously verdant, sampled largely from Krivchenia’s own performed field recorded collection.

For the first time, she explores her vocal expression while also incorporating a range of percussive and other analog and acoustic instruments, resulting in a distinctive set traversing various corners of the bass music continuum

A Fake in a Faker’s World

Approaching composition as a diagnostic methodology to spiritual ends, she conducts emotional resonance like currents of charge, hard-wiring the purely felt into electronic signals.