Forwarded from Historia Occulta
Hildegard Didnât Imagine Her VisionsâShe Recorded Them
Hildegard von Bingen never claimed authorship of her visions. She called herself a âfeather on the breath of God,â not in humility, but accuracy. What she saw came in full lightâclear, constant, and unasked for. From childhood, they arrived with force. By middle age, she could no longer remain silent.
The Scivias, her first major work, wasnât poetry or theology in the usual sense. It was a transmission. Twenty-six visions, vast in scope, depicting not just heaven and earth but the very structure of realityâcosmic, medicinal, elemental. And alongside them: music, language, remedies. Not fragments of genius, but parts of a whole.
Later scholars tried to fit her into categories: mystic, composer, herbalist, proto-feminist. But those are shadows compared to what she actually wasâsomeone attuned to patterns most people couldnât perceive, and disciplined enough to write them down with clarity.
Follow @historiaocculta
Hildegard von Bingen never claimed authorship of her visions. She called herself a âfeather on the breath of God,â not in humility, but accuracy. What she saw came in full lightâclear, constant, and unasked for. From childhood, they arrived with force. By middle age, she could no longer remain silent.
The Scivias, her first major work, wasnât poetry or theology in the usual sense. It was a transmission. Twenty-six visions, vast in scope, depicting not just heaven and earth but the very structure of realityâcosmic, medicinal, elemental. And alongside them: music, language, remedies. Not fragments of genius, but parts of a whole.
Later scholars tried to fit her into categories: mystic, composer, herbalist, proto-feminist. But those are shadows compared to what she actually wasâsomeone attuned to patterns most people couldnât perceive, and disciplined enough to write them down with clarity.
Follow @historiaocculta
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Forwarded from Historia Occulta
The Organ That Played with Water
Long before electricity, before valves and wires, Ktesibios built an instrument that used water to shape sound. In 3rd century BCE Alexandria, he designed the first known hydraulic organânot as a curiosity, but as a working machine of pressure, balance, and tone.
Water sat beneath a closed chamber, its weight forcing air upward through pipes as it rose. A system of keys controlled the flow, allowing the player to shape notes with precision. It was called the hydraulis, and it worked not in theory but in practiceâloud enough to fill open air, stable enough to hold pitch. Later versions were used in Roman arenas and Byzantine courts, but it began with a single insight: that sound could be stabilized by water.
Ktesibios wasnât building music for pleasure alone. He was tracing the boundary between force and form. What he left behind wasnât just the first organâit was one of the earliest machines designed to give structure to breath.
Follow @historiaocculta
Long before electricity, before valves and wires, Ktesibios built an instrument that used water to shape sound. In 3rd century BCE Alexandria, he designed the first known hydraulic organânot as a curiosity, but as a working machine of pressure, balance, and tone.
Water sat beneath a closed chamber, its weight forcing air upward through pipes as it rose. A system of keys controlled the flow, allowing the player to shape notes with precision. It was called the hydraulis, and it worked not in theory but in practiceâloud enough to fill open air, stable enough to hold pitch. Later versions were used in Roman arenas and Byzantine courts, but it began with a single insight: that sound could be stabilized by water.
Ktesibios wasnât building music for pleasure alone. He was tracing the boundary between force and form. What he left behind wasnât just the first organâit was one of the earliest machines designed to give structure to breath.
Follow @historiaocculta
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Forwarded from Historia Occulta
Babbitt Watched the Heart Like a Sun
Edwin D. Babbitt didnât describe the heart as a pump. He called it a solar centreâa radiant core, not mechanical but magnetic. In his 1878 Principles of Light and Color, he wrote that the heartâs motion was spiral, not piston-like. He believed it turned, not just physically, but energeticallyâdrawing and sending in rhythm with forces beyond blood alone.
To Babbitt, circulation was not pressure-driven but guided by polar attraction. The heart, he said, received through its right side and gave through its leftâmatching the spiral movement he observed in nature, in magnetism, and in light. He wrote that its motion mirrored the sun: steady, radiating, central to every other function.
His language was precise, not poetic. He described anatomy in fine detail, then layered it with observation. He didnât separate body from field. The heart wasnât an engine. It was a center of force.
Follow @historiaocculta
Edwin D. Babbitt didnât describe the heart as a pump. He called it a solar centreâa radiant core, not mechanical but magnetic. In his 1878 Principles of Light and Color, he wrote that the heartâs motion was spiral, not piston-like. He believed it turned, not just physically, but energeticallyâdrawing and sending in rhythm with forces beyond blood alone.
To Babbitt, circulation was not pressure-driven but guided by polar attraction. The heart, he said, received through its right side and gave through its leftâmatching the spiral movement he observed in nature, in magnetism, and in light. He wrote that its motion mirrored the sun: steady, radiating, central to every other function.
His language was precise, not poetic. He described anatomy in fine detail, then layered it with observation. He didnât separate body from field. The heart wasnât an engine. It was a center of force.
Follow @historiaocculta
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Forwarded from Druadh
All life which respects life is sacred and must be respected. Murder, rape, sacrifice, abortion etc. is strictly forbidden in core law. Violence is permitted in defence, but only directly against the aggressors. Not on their family, country or race etc. if innocent.
We do not consume the flesh of our own no matter how they have fallen.
All land is holy. To deliberately poison the land against nature is forbidden.
There is no core law on idolatry or religion. These are designed to disempower you from the truth, that you are your own God and your own judge. All you do is encoded to your DNA, your record. There is no such thing as âjunkâ DNA.
Breaking these laws will disconnect your soul from the wheel, never to return. In essence your soul becomes energy for evil, part of the negative. There are many tricks such as consuming food you know to contain human meat, or abortion etc. to give you over to their side. There is no salvation, no confession can forgive you for these breaches. But you must breach them knowingly, that is the trap.
We do not consume the flesh of our own no matter how they have fallen.
All land is holy. To deliberately poison the land against nature is forbidden.
There is no core law on idolatry or religion. These are designed to disempower you from the truth, that you are your own God and your own judge. All you do is encoded to your DNA, your record. There is no such thing as âjunkâ DNA.
Breaking these laws will disconnect your soul from the wheel, never to return. In essence your soul becomes energy for evil, part of the negative. There are many tricks such as consuming food you know to contain human meat, or abortion etc. to give you over to their side. There is no salvation, no confession can forgive you for these breaches. But you must breach them knowingly, that is the trap.
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Forwarded from TARTARIA HISPANICA
đŹđ§ Sound Meets Shape
Cymatics is a fascinating exploration of how sound vibrations can shape and influence matter, creating stunning, intricate patterns that are invisible to the naked eye. When sound waves interact with different surfaces, they form mesmerizing shapesâeach frequency producing a unique design.
These patterns are a beautiful reminder that sound is not just something we hear, but a powerful force that can shape the world around us. From the simple hum of a tuning fork to the complex harmonies of nature, cymatics invites us to see the unseen and connect with the rhythms of this world in a whole new way.
Join us
@En_travaux
@Tartaria & History Channel
@TARTARIA HISPANICA
Cymatics is a fascinating exploration of how sound vibrations can shape and influence matter, creating stunning, intricate patterns that are invisible to the naked eye. When sound waves interact with different surfaces, they form mesmerizing shapesâeach frequency producing a unique design.
These patterns are a beautiful reminder that sound is not just something we hear, but a powerful force that can shape the world around us. From the simple hum of a tuning fork to the complex harmonies of nature, cymatics invites us to see the unseen and connect with the rhythms of this world in a whole new way.
Join us
@En_travaux
@Tartaria & History Channel
@TARTARIA HISPANICA
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Forwarded from đEarthsongs Awakening
Admit it. You arenât like them. Youâre not even close. You may occasionally dress yourself up as one of them, watch the same mindless television shows as they do, maybe even eat the same fast food sometimes. But it seems that the more you try to fit in, the more you feel like an outsider, watching the ânormal peopleâ as they go about their automatic existences. For every time you say club passwords like âHave a nice dayâ and âWeatherâs awful today, eh?â, you yearn inside to say forbidden things like âTell me something that makes you cryâ or âWhat do you think deja vu is for?â Face it, you even want to talk to that girl in the elevator. But what if that girl in the elevator (and the balding man who walks past your cubicle at work) are thinking the same thing? Who knows what you might learn from taking a chance on conversation with a stranger? Everyone carries a piece of the puzzle. Nobody comes into your life by mere coincidence. Trust your instincts. Do the unexpected. Find the others.â
Contextual meaning: Itâs about seeking like-minded individuals, challenging societal norms, and exploring deeper connections and conversations.
https://thebasics.guide/find-the-others/
Contextual meaning: Itâs about seeking like-minded individuals, challenging societal norms, and exploring deeper connections and conversations.
https://thebasics.guide/find-the-others/
The Basics Guide
Find the Others
"Find the Others", proposed by Timothy Leary, highlights the quest for like-minded individuals and meaningful connections, while trusting one's instincts and questioning societal norms. Though criticized for possibly encouraging echo chambers, it finds newâŠ
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Forwarded from Old World
Cymatics: Visual Proof of Vibration
https://www.linkedin.com/pulse/cymatics-visual-proof-vibration-crystal-sun/?trackingId=qDCJU432RHSXeqjGWc51Mw%3D%3D
http://entityart.co.uk/energy-harnessing-old-world-buildings-resets-and-genocides-part-8/
https://vimeo.com/193518125
https://www.facebook.com/photo/?fbid=680274703463206&set=pb.100044420469989.-2207520000&locale=de_DE
https://www.linkedin.com/pulse/cymatics-visual-proof-vibration-crystal-sun/?trackingId=qDCJU432RHSXeqjGWc51Mw%3D%3D
http://entityart.co.uk/energy-harnessing-old-world-buildings-resets-and-genocides-part-8/
https://vimeo.com/193518125
https://www.facebook.com/photo/?fbid=680274703463206&set=pb.100044420469989.-2207520000&locale=de_DE
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Forwarded from 0
If you go deeper you will understand that it is actually mostly an internal fight, a fight between good and evil within you, a fight for change and to free and save your inner child.
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Forwarded from The Doctors TARDIS (The Doctor)
From a 1946 dictionary
Dragons were very much real and another big part of our history that has been deliberately erased.
Dragons were very much real and another big part of our history that has been deliberately erased.
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Forwarded from The Keystone
They knew because they could see it.
It sometimes seems impossible that, for example, a book like the Bible could be explaining a torus field. Stan tenen explains here.
I suggest that it wasnât that ancient people were more smart or had fancy technologyâbut that their eye sight was capable of seeing the magneto/dielectric field.
The more you understand what you witness with your eyes, the easier it becomes to explain it and code it in story form.
They created art work. And while art can show a truth, itâs not necessarily factual.
Imagine eye sight that could easily see the magnetic field of the magneto/dielectric sun. You could see the waves coming off it in an order. Or if you could see the waves coming off a tree. And then its just felt natural to express that in art.
We may be able to understand that now as a torus field, but possibly they were just describing what they actually were witnessing.
Maybe we lack that capability now to physically see these wave forms naturally.
It sometimes seems impossible that, for example, a book like the Bible could be explaining a torus field. Stan tenen explains here.
I suggest that it wasnât that ancient people were more smart or had fancy technologyâbut that their eye sight was capable of seeing the magneto/dielectric field.
The more you understand what you witness with your eyes, the easier it becomes to explain it and code it in story form.
They created art work. And while art can show a truth, itâs not necessarily factual.
Imagine eye sight that could easily see the magnetic field of the magneto/dielectric sun. You could see the waves coming off it in an order. Or if you could see the waves coming off a tree. And then its just felt natural to express that in art.
We may be able to understand that now as a torus field, but possibly they were just describing what they actually were witnessing.
Maybe we lack that capability now to physically see these wave forms naturally.
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