Forwarded from Jason
April 2
Forwarded from Historia Occulta
Hildegard Didn’t Imagine Her Visions—She Recorded Them
Hildegard von Bingen never claimed authorship of her visions. She called herself a “feather on the breath of God,” not in humility, but accuracy. What she saw came in full light—clear, constant, and unasked for. From childhood, they arrived with force. By middle age, she could no longer remain silent.
The Scivias, her first major work, wasn’t poetry or theology in the usual sense. It was a transmission. Twenty-six visions, vast in scope, depicting not just heaven and earth but the very structure of reality—cosmic, medicinal, elemental. And alongside them: music, language, remedies. Not fragments of genius, but parts of a whole.
Later scholars tried to fit her into categories: mystic, composer, herbalist, proto-feminist. But those are shadows compared to what she actually was—someone attuned to patterns most people couldn’t perceive, and disciplined enough to write them down with clarity.
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Hildegard von Bingen never claimed authorship of her visions. She called herself a “feather on the breath of God,” not in humility, but accuracy. What she saw came in full light—clear, constant, and unasked for. From childhood, they arrived with force. By middle age, she could no longer remain silent.
The Scivias, her first major work, wasn’t poetry or theology in the usual sense. It was a transmission. Twenty-six visions, vast in scope, depicting not just heaven and earth but the very structure of reality—cosmic, medicinal, elemental. And alongside them: music, language, remedies. Not fragments of genius, but parts of a whole.
Later scholars tried to fit her into categories: mystic, composer, herbalist, proto-feminist. But those are shadows compared to what she actually was—someone attuned to patterns most people couldn’t perceive, and disciplined enough to write them down with clarity.
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May 6
Forwarded from Historia Occulta
The Organ That Played with Water
Long before electricity, before valves and wires, Ktesibios built an instrument that used water to shape sound. In 3rd century BCE Alexandria, he designed the first known hydraulic organ—not as a curiosity, but as a working machine of pressure, balance, and tone.
Water sat beneath a closed chamber, its weight forcing air upward through pipes as it rose. A system of keys controlled the flow, allowing the player to shape notes with precision. It was called the hydraulis, and it worked not in theory but in practice—loud enough to fill open air, stable enough to hold pitch. Later versions were used in Roman arenas and Byzantine courts, but it began with a single insight: that sound could be stabilized by water.
Ktesibios wasn’t building music for pleasure alone. He was tracing the boundary between force and form. What he left behind wasn’t just the first organ—it was one of the earliest machines designed to give structure to breath.
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Long before electricity, before valves and wires, Ktesibios built an instrument that used water to shape sound. In 3rd century BCE Alexandria, he designed the first known hydraulic organ—not as a curiosity, but as a working machine of pressure, balance, and tone.
Water sat beneath a closed chamber, its weight forcing air upward through pipes as it rose. A system of keys controlled the flow, allowing the player to shape notes with precision. It was called the hydraulis, and it worked not in theory but in practice—loud enough to fill open air, stable enough to hold pitch. Later versions were used in Roman arenas and Byzantine courts, but it began with a single insight: that sound could be stabilized by water.
Ktesibios wasn’t building music for pleasure alone. He was tracing the boundary between force and form. What he left behind wasn’t just the first organ—it was one of the earliest machines designed to give structure to breath.
Follow @historiaocculta
May 6
Forwarded from Historia Occulta
Babbitt Watched the Heart Like a Sun
Edwin D. Babbitt didn’t describe the heart as a pump. He called it a solar centre—a radiant core, not mechanical but magnetic. In his 1878 Principles of Light and Color, he wrote that the heart’s motion was spiral, not piston-like. He believed it turned, not just physically, but energetically—drawing and sending in rhythm with forces beyond blood alone.
To Babbitt, circulation was not pressure-driven but guided by polar attraction. The heart, he said, received through its right side and gave through its left—matching the spiral movement he observed in nature, in magnetism, and in light. He wrote that its motion mirrored the sun: steady, radiating, central to every other function.
His language was precise, not poetic. He described anatomy in fine detail, then layered it with observation. He didn’t separate body from field. The heart wasn’t an engine. It was a center of force.
Follow @historiaocculta
Edwin D. Babbitt didn’t describe the heart as a pump. He called it a solar centre—a radiant core, not mechanical but magnetic. In his 1878 Principles of Light and Color, he wrote that the heart’s motion was spiral, not piston-like. He believed it turned, not just physically, but energetically—drawing and sending in rhythm with forces beyond blood alone.
To Babbitt, circulation was not pressure-driven but guided by polar attraction. The heart, he said, received through its right side and gave through its left—matching the spiral movement he observed in nature, in magnetism, and in light. He wrote that its motion mirrored the sun: steady, radiating, central to every other function.
His language was precise, not poetic. He described anatomy in fine detail, then layered it with observation. He didn’t separate body from field. The heart wasn’t an engine. It was a center of force.
Follow @historiaocculta
May 6
Forwarded from Druadh
All life which respects life is sacred and must be respected. Murder, rape, sacrifice, abortion etc. is strictly forbidden in core law. Violence is permitted in defence, but only directly against the aggressors. Not on their family, country or race etc. if innocent.
We do not consume the flesh of our own no matter how they have fallen.
All land is holy. To deliberately poison the land against nature is forbidden.
There is no core law on idolatry or religion. These are designed to disempower you from the truth, that you are your own God and your own judge. All you do is encoded to your DNA, your record. There is no such thing as “junk” DNA.
Breaking these laws will disconnect your soul from the wheel, never to return. In essence your soul becomes energy for evil, part of the negative. There are many tricks such as consuming food you know to contain human meat, or abortion etc. to give you over to their side. There is no salvation, no confession can forgive you for these breaches. But you must breach them knowingly, that is the trap.
We do not consume the flesh of our own no matter how they have fallen.
All land is holy. To deliberately poison the land against nature is forbidden.
There is no core law on idolatry or religion. These are designed to disempower you from the truth, that you are your own God and your own judge. All you do is encoded to your DNA, your record. There is no such thing as “junk” DNA.
Breaking these laws will disconnect your soul from the wheel, never to return. In essence your soul becomes energy for evil, part of the negative. There are many tricks such as consuming food you know to contain human meat, or abortion etc. to give you over to their side. There is no salvation, no confession can forgive you for these breaches. But you must breach them knowingly, that is the trap.
June 20