As part of Art for Tomorrow international forum at the Triennale Milano, a panel discussion entitled "Culture as Capital: Can Art Become an Economic Driver?" was held. The session was attended by Gayane Umerova, Chairperson of Uzbekistan Art and Culture Development Foundation, Tommaso Sacchi, Deputy Mayor of Milan for Culture, and Jiyun Li, founder of SUUM Project.
The session emphasised the relevance of an integrated approach to cultural policy as part of a long-term economic strategy.
Participants expressed confidence that the creative industries have sustainable potential and can be a key driver of growth in the post-industrial era.
The session emphasised the relevance of an integrated approach to cultural policy as part of a long-term economic strategy.
Participants expressed confidence that the creative industries have sustainable potential and can be a key driver of growth in the post-industrial era.
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2025-yil 11-may kuni “O‘zbekiston” xalqaro anjumanlar saroyi musiqa vaqt, makon hamda tinglovchilar qalbini birlashtirgan maskanga aylandi. Teodor Kurentzis boshchiligidagi “musicAeterna” orkestri haqiqiy kashfiyotlar kechasini taqdim etdi.
Pyotr Chaykovskiyning 5-simfoniyasi va Rihard Shtrausning “Oxirgi to‘rtta qo‘shig‘i” yangradi. Bu ikki buyuk asar bir dasturda jamlanib, unda Chaykovskiyning fojia kuchi Shtrausning falsafiy osoyishtaligi bilan ro‘baro‘ keldi.
Musiqa tomoshabinlarni zamonlar osha ravona qildirib, hayot, taqdir va san’at qudrati haqida mushohadaga cho‘mish muhitini vujudga keltirdi. Kurentzis, har doimgidek, uning har bir notasi chuqur ma’no kasb etadigan chinakam musiqiy mo‘jizani yarata oldi.
Pyotr Chaykovskiyning 5-simfoniyasi va Rihard Shtrausning “Oxirgi to‘rtta qo‘shig‘i” yangradi. Bu ikki buyuk asar bir dasturda jamlanib, unda Chaykovskiyning fojia kuchi Shtrausning falsafiy osoyishtaligi bilan ro‘baro‘ keldi.
Musiqa tomoshabinlarni zamonlar osha ravona qildirib, hayot, taqdir va san’at qudrati haqida mushohadaga cho‘mish muhitini vujudga keltirdi. Kurentzis, har doimgidek, uning har bir notasi chuqur ma’no kasb etadigan chinakam musiqiy mo‘jizani yarata oldi.
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11 мая 2025 года Дворец международных форумов «Узбекистан» стал местом, где музыка объединила время, пространство и сердца слушателей. Оркестр musicAeterna под управлением Теодора Курентзиса подарил настоящий вечер откровений.
Прозвучали Пятая симфония Петра Чайковского и «Четыре последние песни» Рихарда Штрауса. Эти два великих произведения соединились в одной программе, в которой трагическая сила Чайковского встречается с философским спокойствием Штрауса.
Музыка переносила зрителей сквозь время, создавая атмосферу размышлений о жизни, судьбе и силе искусства. Курентзис, как всегда, смог создать настоящее музыкальное чудо, где каждая нота обретала глубокий смысл.
Прозвучали Пятая симфония Петра Чайковского и «Четыре последние песни» Рихарда Штрауса. Эти два великих произведения соединились в одной программе, в которой трагическая сила Чайковского встречается с философским спокойствием Штрауса.
Музыка переносила зрителей сквозь время, создавая атмосферу размышлений о жизни, судьбе и силе искусства. Курентзис, как всегда, смог создать настоящее музыкальное чудо, где каждая нота обретала глубокий смысл.
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On 11 May 2025, the Uzbekistan Palace of International Forums became a place where music united time, space and the hearts of listeners. The musicAeterna orchestra conducted by Teodor Currentzis presented a real evening of revelations.
Pyotr Tchaikovsky's Fifth Symphony and Richard Strauss's Four Last Songs were performed. These two great works were combined in one programme in which the tragic power of Tchaikovsky met the philosophical calm of Strauss.
The music transported the audience through time, creating an atmosphere of reflection on life, destiny and the power of art. As always, Currentzis was able to create a real musical miracle, where every note took on a deep meaning.
Pyotr Tchaikovsky's Fifth Symphony and Richard Strauss's Four Last Songs were performed. These two great works were combined in one programme in which the tragic power of Tchaikovsky met the philosophical calm of Strauss.
The music transported the audience through time, creating an atmosphere of reflection on life, destiny and the power of art. As always, Currentzis was able to create a real musical miracle, where every note took on a deep meaning.
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