Ingmar Bergman on Andrei Tarkovsky:

'My discovery of Tarkovsky's first film was like a miracle.
Suddenly, I found myself standing at the door of a room the keys of which had, until then, never been given to me. It was a room I had always wanted to enter and where he was moving freely and fully at ease.
I felt encouraged and stimulated: someone was expressing what I had always wanted to say without knowing how.
Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream'.

'No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of soul'.
Ingmar Bergman.

'Le feu follet', 1963, Louis Malle.

'La Chinoise', Jean-Luc Godard, France, 1967.

'La notte', 1960, Michelangelo Antonioni.
Argentinean poster.

'The Face Of Another', Hiroshi Teshigahara, 1966.

'Andrei Rublev', 1966, Andrei Tarkovsky.

'Throught a glass darkly', 1961, Ingmar Bergman.

'Сталкер', Тарковский, 1979.

'Autumn sonata', Bergman, 1978.

'The 400 blows', 1959, François Truffaut.